Picture Books
It’s snowing outside! Liam rushes out into the squall, determined to catch one perfect snowflake. He tries any number of tricks to complete his mission, but each time he is thwarted.
He sticks out his tongue and looks up . . . nope. He builds a snowman, climbing up to get a little closer to the snow . . . still nope. He runs around the yard—tongue still out—because faster is better, right? Wrong! Nothing seems to work. Until, in a final leap of faith, he catches that one flake . . . in a way he never expected. (This made it to our Mock Caldecott finals.)
Nonfiction
During World War II, a social worker named Jacqueline bicycled through the streets of Paris, passing Nazi soldiers and carrying a toy duck to share with the children she visited. What the Nazis didn’t know, however, was that Jacqueline wasn’t a social worker at all, but a Jewish member of the French Resistance. She risked her life in secret workshops, where forgers created false identity papers. But how to get these life-saving papers to families in hiding? The toy duck held the answer.
From reeds used by ancient Sumerians to bendy straws in World War II hospitals, people have changed the straw to fit their needs for 5000 years. Today however, this useful tool is contributing to the plastic problem polluting our oceans. Once again, the simple straw needs a reinvention. (Using for Mock Sibert.)
Chester plans to have a salad for lunch, but in order to do that, he'll need vegetables. So, off he goes to the community garden, except he quickly learns that he won't be dressing a salad anytime soon. Instead, the vegetables start dressing him down. According to them, "vegetables" don't exist!
Kale is just a leaf, broccoli is a flower, potatoes are roots, and celery...well, stalks. Thanks to a lively, sassy cast of talking "veggies," Chester learns a valuable lesson about categories and how they shape our understanding of the world.
"Ursula Nordstrom was a grown-up who never forgot what it was to be a child." The girl who'd always loved to read would grow up to work in the Department of Books for Boys and Girls at Harper & Brothers Publishers. Soon she was editing books by Margaret Wise Brown and E. B. White, discovering new talent like John Steptoe and Maurice Sendak, and reinventing what a book for children should be. Her favorite books of all? "Good books for bad children," she'd say.
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